I’ve been really excited to be in that place where I’m putting accessibility at the forefront and as part of the creative process rather than an afterthought. As disabled artists we really need to think about how we make work that’s accessible because if we’re not thinking about it there’s no reason for mainstream to consider it.
I’m a ‘learn through doing’ kind of person so doing these workshops has been really beneficial and I’m sure it’s really going to influence the way I make work in the future, which is what I wanted to get out of it.
I’m constantly thinking about everybody’s experience of the artwork I’m making and how can I make that experience more accessible?
I’m also thinking about how different tools for accessibility can change the experience of the work. It’s been really fascinating to experience how audio description could make a work more powerful or less impactful or it can really change how we relate to what we’re seeing.
And it’s been really interesting to work with AUSLAN outside the usual what’s happening on stage and an interpreter thing. It’s been exciting to explore other ways to incorporate sign language into the work.
What is the beauty of you?
I haven’t really had a feeling of beauty in my body for as long as I remember but I’ve always thought of myself in a functional sense but I’ve always asked how can I make this or that and that’s where I derive my pride in myself.